Advert created by Dona Isabel’s Factory, with a newspaper cutout that highlights the use of Polybel on Zuzu Angel’s International Dateline Collection III.

Advert for the preview of the International Dateline Collection III, published on the Women’s Wear Daily magazine.

Heart shaped invitation specially created for the launch of the International Dateline Collection III. The front part has a flowers and roses pattern in green, pink, orange and white on a turquoise background. The back has information about the event and contacts.

Study for pattern on paper of birds in pink and purple over a background with flower motifs. Has a pen inscription which reads “International Dateline Collection III” on the bottom left side of the support.

Fotografia de Zuzu Angel ajustando manga do vestido de protesto no Desfile em casa do Consul Brasileiro,Lauro Soutello Alves, no lançamento da coleção International Dateline Collection III – Holiday and Resort.na residência do cônsul do Brasil em Nova York e torna público o caso de Stuart em um desfile-perfomance, com alusões ao momento político brasileiro.A partir deste evento Zuzu começa a começa a vestir luto.

Promotional booklet from The Philadelphia Inquirer [25/05/1971] announcing the display of models presented at the International Dateline Collection III – Holiday and Resort, on September 1971, at the Gotham Hotel in New York.

Budget with costs for the International Dateline Collection III fashion shows, regarding the period between August and November, 1971. Besides a detailed description of the expenses, also has a note issued to Zuzu in response to the expense list, as well as a presentation letter addressed to Ralph Guyer from Cottontex, Inc, forwarded by Lisa Curtis.

Photographic record of Protest dresses presented at the “Zuzu Angel – I am Brazilian fashion” exhibition, held from August 31st to October 8th, 2006, at the “Museu Histórico Nacional” (National Historic Museum), Rio de Janeiro.

Press release offering the International Dateline Collection to the international press. Besides showcasing the collection’s peculiarities, it also tells a brief history of Zuzu Angel’s career.

Types lists with all nine groups of clothing presented at the International dateline Collection III and their respective variations of prices within clothes from the same group. One of the pages describes in full detail all types of fabric used on the confection of the clothes, as well as a list used as a basis for estimating their costs.